Performance as dancer and actor in the reworked, new version of Rameau's lost opera Samson. Created by Claus Guth and Raphaël Pichon and performed for the Festival d'Aix-en-Provence in July 2024.
A moving dialogue for textiles and bodies, MaterialBody is a performance installation which invites a shift our perception of self and the material objects we encounter everyday.
Excerpted performance of MaterialBody in "Kurzestrecke - 10 Jahre Jubiläum" der TanzART Kirschau. April 27, 2024.
HUG pilot performance focuses on the importance of boundaries and conscious touch practices, using movement to spark conversations about connection and safety. It’s a first step toward creating safe spaces—not only in dance but in everyday life—while shedding light on a subject that impacts many of us.
HUG (AT) is the latest duet version of Marion Plantey’s larger project which was performed on 07.12.24 at Südufer, Freiburg. The performance explores intimacy and touch through a trauma-sensitive lens in a relaxed performance setting.
Violetter Schnee I Opera Season 2018/19, 2020, 2024 I Music by Beat Furrer I Text by Händl Klaus based on a work by Vladimir Sorokin, translated by Dorothea Trottenberg.
HEART CHAMBER [An inquiry about love] by Chaya Czernowin
World premiere on 15 November 2019 at Deutsche Oper Berlin
Endings, expectation, time. Passing, standing still or just arrived?
"Playing Dead & Doing Time" weaves and untangles questions of ends and decay, while considering human and non-human viewpoints in the interconnected space between death and time.
An exploration of social norms and connections within an exhibition space around the themes of water, memory and embodiment.
Was kann die Maschine? Was kann der Mensch? Uraufführung am 25 Sept 2021 in Hellerau Europäisches Zentrum der Künste im Rahmen des Festivals "Dancing About"/TANZPAKT Dresden.
While on the surface Leoš Janáček's DIE SACHE MAKROPULOS is a crime play about a complex inheritance dispute, on a deeper level the opera raises existential questions about eternal life and what price you pay for that dream.
A piece made of endings.
How do we know when it's over? When do we end the dance, the film, or the career and what about death, the ultimate ending? Taking a seriously over-the-top look at dying, this movement-theater film deals with expectation and time. Without an end, there is no sense of time as we know it. Or is it only a matter of perspective?
Everyone wants to get likes, have their posts shared and enjoy the limelight. But when the light goes out and you're no longer the centre of attention, who are you, exactly?
Net//Works explores how systems of physical and personal boundaries create inclusive and exclusive mentalities toward immigration and border crossing.
